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Villains & Chieftains

by P.S. Lucas

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    P.S. Lucas second album Villains & Chieftains in 12", 180gr, vinyl.

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1.
We stopped for whisky shots And set to cross the northern countries Trading candle sticks and hope words At the peaks of bar stool mountains We went inside the beast of ordinary commerce We, raised on honey mountains by the sea We would be lemon-moons half-lit in the dark Like satellites, spinning sending signals Ceaselessly across the stars We lived on the kindness of strangers And sent letters to angels We knocked on doors with queens on the other side We were dancing on a Tuesday night We’ve walked all the aisles Of subway burgs that seemed the future Night caps at sun-up, Had paycheck numbers We came outside the beast owing all our summers We, raised on honey castles by the sea We would be half-princes self-cast in the dark Like satellites spinning, sending signals Ceaselessly across the stars We lived on the kindness of strangers. And sent long letters to angels We’ve knocked on doors with queens on the other side And we were dancing on a Tuesday night
2.
If I ever sang it was to name the outside All the things I’ve named, they became mine. Tonight I’m everything I used to hold But the one I’ve lost which I’ve called my own I was craned over black rocks, Carved on golden backrooms, My fingers have knots From piercing the moon. I’ve studied all lists With tricks to see through The mass of the nights Never claimed in my youth If I ever sang it was to name the outside All the things I’ve named became mine. Tonight I’m everyone I’ve ever loved But the one I’ve lost when I’ve changed my words Streetlamps, they’re stars As we walk out of the bar. She asks for her coat, I threw her my scars. I was sold every list With tricks to guard That mass of a body I see now from afar If I ever sang it was to name the outside All the things I’ve named became mine. Tonight I’m every wish I have revealed But the one I’ve lost when I made it real.
3.
Means & Ends 03:20
Later it got dark Then it was just a start You were standing in the room The light was soft in the afternoon And our dreams, they were left all the way in the back Your friends, they walked forth And went to that fish place out in the port We were left tied in your shawl Next to the pictures on the wall And that tall balcony door We leant forward We heard the city roar And waited for your friends - Means, they were better than the ends. There were almonds and champagne, We drank and we left our pains Past the river-crossing ferries And that picture of the Golden Gate Later it turned gold But then we were just bold Any couch would be enough To sail around the Cadiz gulf, To drop away the anchor and the boat. We leant forward And stayed for a month We entertained your friends: Means they were better than the ends. We drank all the champagne We drowned and we left our pains Past the river-crossing ferries And that picture of the Golden Gate
4.
Sea Dream 03:12
I see the seabed As I lay my head It’s seven meters below And I’m floating Above splendid rocks And waving gardens Where creatures close Their deepest fears It’s on the threshold - Where evenings unfold That darkest veil And the dreams sail Across the horizon - That I get lost Trapped between seasons And weather plots That single moment A day’s poem The headboard’s holding All the elements: Everything at once. Underwater dust And light droplets That were cast to us. They remain Bearing the heights We seize up in the night I see the bottom I see the phantom Of a youngman’s angst With his mind against That navy blue veil That covers his dares, His nervous panting And all of his cares
5.
Villain 03:51
I am not a villain, I just try to remain Still, as when the night falls and the lights in the hall They fade away Like songbird chirps When they go at dusk To find another place I am not a better man than the child I was then When leather sandals hurt my feet, my wit, my runs Behind the marching band. Now they seem more All these things I’ve stored Up in my head I’m keen for innocence, let it live in any sentence Brought down from kingdom come. They won't save us, son. Let them amuse: I look up at noon For a different tune I hope it comes soon I am not a villain, I just try to regain That creed in grandma’s hands, that Bill sang like no one can But now he rests With songbirds’ chirps That the morning takes As the prayers sit I am keen for innocence, seen in any sentence Brought down from kingdom come. They won't save us, son. Let them amuse: I look up at noon For a different tune I hope it comes soon I’ll refuse obedience to stale and lifeless sentences Penned down by copywriters from the holes of vicious miners That the world still approves: I look up at noon For a whole new tune I hope it comes soon
6.
Black Sand 03:45
We ran away on Sunday mornings ‘Dared God’s will with our skills in fake holsters Drawn fast, made up pistols against: The tyrant of boredom Lord of the order King of the borders That took us by the hand Away from the black sand Where we came from We scorned the fool and all his rules Preaching the old and baffled tune Preaching the things we couldn’t know Haven’t we ran with early glow We crossed the bay “a marching band” And pressed our feet down on the sand We hoped to grow tall as the mounts That hold the ghosts inside their mouths The port was reached at tilted sun, A ferry sailor took my gun I took his face to bear in grave When we’re all done shunning the waves The ferry boats held on the piers Landing women with salt for tears With fruit baskets on their heads And flower mats for their dead
7.
Borders 03:54
I’ll bear with your taste, dear. When it comes to faces You’ve always saw things On a better light You’ve raised the reasons You’ve raised the right To win over the crowd Bear with my thoughts, dear, For I have often sought To watch over the world With my own eyes I have my faces I have my cries I have been summoning You haven’t learned the borders But you were holding my sore hands When you asked again If I wouldn’t make it so hard If I would ever lower my guard Just to let you have it the way you wanted it Baby, I’ll climb a mountain in your behalf But I couldn’t move it if I wanted to I’ve always listened to your side, dear But I too I have my sighs They fit best to my limbs As I walk the road I am doubted And I hold All these words in my throat just until I can’t anymore
8.
I try to make amends Repair the steps we took We stood on the wrong foot We locked away the sun And we’ll fall down one by one, when the winter comes If asked I’d come again We were good at talking We spent nights walking I wish we’ve listened just as much But we’ll fall all at once, when the winter comes I try to be fair, son But we’re pushed around by some And we’re down while they suck Our worth in sweat and blood But they’ll fall with us, when the winter comes. I brushed away the sand We look out for kin and friends We do it now, we’ve done it then We’re hard-wired militia men And we’ll fall one by one, when the winter comes I’ll be giving time to time Clenching my hand as it runs by The crowd’s pushing To make it yonder Meek were aiming for the skies And swindlers scraped by The crowd’s pushing They’ll take it further
9.
Little lizard turning Black rocks in a patchwork: They combine in my mind. They’re laced but no one told them And they stare at lazy cats Licking their paws in silence The sun’s crisp, and the breeze, They’re fighting over a plastic sheet That is taking all the sound space around Plastic makes some noise In the wind it has a voice Though he hasn’t much to say People turn their noses And look right where he poses As he sells stings for roses Bait works on the guts It just hangs from above Like a promise to get something, We’d better raise hurricanes Westbound to paradise Where our riches, they’re dug under sugar cane Everyone else is on the run The worm’s stalking the bird But she’ll leave him out to dry He couldn’t know it’s just a flirt I guess someone’s out of touch He has been living above the earth But the sun’s crisp, and the breeze, They’re making a fuss over a plastic sheet That is taking all the sound space around
10.
Happiness 02:00
Happiness is like a bird with twenty wings Try to catch him as he flies Happiness is like a bird that only sings When his head is in the skies You can try to make him walk beside you You can say the door is open wide If you grab at him, woe betide you I know, because I've tried Like a butterfly upon an April morning Very quickly taking fright Happiness is come and gone without a warning Jack-O-Lantern in the night I will follow him across the meadow I will follow him across the hill And if I can catch him I will try to bring you Oh yes, happiness If I can catch him I will try to bring you All my love and happiness

about

Nem é preciso ir mais longe, os segredos são todos revelados na breve descrição que no Bandcamp apresenta P. S. Lucas ao mundo: “derivas literárias, colagens musicais e muita deambulação”. Totalmente verdade. Ouça-se, como prova número 1, “Means & Ends”, o primeiro single a anunciar o novíssimo álbum Villains & Chieftains, um tema que começa como um bom livro, daqueles que não se despegam do nosso olhar, nem que queiramos: “Later it got dark / Then it was just a start / You were standing in the room / The light was soft in the afternoon / And our dreams, they were left all the way in the back”. Está lá tudo: gente viva e um lugar, emoções, um tempo e uma luz. E se a canção começa como um bom livro, termina como um grande filme que nunca foi rodado: “We drank all the champagne / We drowned and left our pains / Past the river-crossing ferries / And that picture of the Golden Gate”.

Neste álbum, P. S. Lucas, que canta e escreve e toca guitarras e até alguns sintetizadores, volta a rodear-se de amigos, novos e velhos: Pedro Branco toca guitarra, João Hasselberg toca baixo, João Sousa senta-se à bateria e Augusto Machado ao Fender Rhodes. Há também um coro de harmonias transparentes, como convém para as canções que começam como livros e terminam como filmes: Anastácia Carvalho, Manuela Oliveira e Selma Uamusse carregam a brisa nas suas vozes. O álbum foi produzido por Mariana Ricardo (Minta & The Brook Trout, They’re Heading West) e pelo próprio Lucas, gravado pelo incansável Eduardo Vinhas e masterizado pelo veteraníssimo Mário Barreiros.

Depois de In Between, trabalho que lançou em 2021, quando o mundo era um sítio muito distante, este Villains & Chieftains é mais uma tranquila revolução, daquelas que só faz estremecer os corações de quem as escuta atentamente. O álbum foi antecipado por um segundo single, “Villain”, mais um pedaço de sábia conjugação de melodias e palavras de literatura ou cinema do bom, de progressão rítmica tranquila e de arranjos que fazem tudo para não agitar as águas em que a voz de Lucas mergulha. É pop com ecos de folk, ou soul movida pela mais leve insinuação de jazz, ou simplesmente música que transforma quem a escuta apenas porque carrega juras daquelas que só cabem nas canções. Prova número 2: “I’ll refuse obedience to stale and lifeless sentences”. Uma recusa que deveria ser de toda a gente, na verdade.

Como essas duas faixas há mais oito em que P. S. Lucas nunca permite que o seu pulso se acelere, ainda que a densidade emocional seja elevada, uma espécie de geleia espessa que nos prende e que é feita de ideias e alguns falsetes, de cadências trémulas como a luz de uma vela ao vento. E no fim, como o ouro que nos espera onde o arco-irís termina, há “Happiness”, original de Molly Drake, a mãe do primeiro Nick de canções doridas que o mundo aprendeu a amar. Como uma borboleta numa manhã de Abril, escrevia Molly e canta agora Lucas, a fechar uma viagem por um lugar mágico de onde brotam novas canções que uma vez escutadas convidam a repetidas audições, porque em cada uma há segredos que só a familiaridade revela. Prova número 3: “And I hold / All these words in my throat just until I can’t anymore”.

Para lá de Medeiros/Lucas, bem para lá d’O Experimentar, P. S. Lucas traça um percurso artístico cada vez mais singular com o novo Villains & Chieftains, criando uma obra feita de canções que são mistérios que não vamos conseguir desvendar, mas não faz mal. Nem tudo no mundo tem que se resolver. Só, talvez, as canções que começam como livros e acabam como filmes e no meio têm tudo o resto.

credits

released February 29, 2024

All songs written and composed by Pedro S. Lucas, except “Happiness”, by Molly Drake

Produced by Mariana Ricardo & Pedro S. Lucas
Recorded at Bela-Flor Recording Studios and Estúdio Estrela by Eduardo Vinhas (2022)
Mixed by Eduardo Vinhas
Mastered by Mário Barreiros

Pedro S. Lucas - Vocals, electric guitar, classical guitar, synths and digital processing
Pedro Branco - Electric guitar
João Hasselberg - Electric bass, double bass
João Sousa - Drums
Augusto Macedo - Fender rhodes, synths
Anastácia Carvalho - Choir
Manuela Oliveira - Choir
Selma Uamusse - Choir

*Digital strings in track 8 composed and performed by João Hasselberg

Cover photo by Hernâni Abrantes (digitized by Sara Abrantes)
Art direction by Desisto

P.S. Lucas thanks deeply to: Mariana Ricardo, David Eyguesier, Fundação GDA, Francisco Ávila, Terry Costa (MiratecArts), Filipe Paulo (Cella Bar), Sara Abrantes

Released by Marca Pistola under license by Pedro S. Lucas

Financial Support: Fundação GDA

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P.S. Lucas Lisbon, Portugal

literary drifts, musical stiches and a lot of wandering by Pedro S. Lucas (Medeiros/Lucas, O Experimentar)

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